Sycamore Gap Tree Application
Why the Sycamore’s Story Matters Now More Than Ever
Across the UK, people speak of anxiety, uncertainty and a growing sense of disconnection. The world feels louder, sharper, more fragile than it once did. Trust in leadership has ebbed, public services feel stretched, and many worry about the rising cost of living. During the early days of Covid, we stood on doorsteps and clapped. We checked on neighbours. The country that once stood shoulder to shoulder, now feels scattered and weary.
And then the Sycamore Gap tree fell.
Not everyone understood the outpouring of emotion that followed the loss of the Sycamore Gap tree. Some felt the reaction was excessive in a world where many people and communities carry far heavier burdens. But for many, the tree became a safe place to lay down grief they had never been able to voice. It represented constancy in an unstable world, belonging in a fractured time, and a connection to land that felt increasingly fragile.
For some, it was “just a tree.”
For millions, it was the moment the nation exhaled years of grief it had never quite named. The Sycamore became a guardian for memory, belonging, identity, and the longing for connection we have all felt but rarely spoken aloud. When it fell, so did something steady in us. Yet from that loss, saplings now rise, carrying hope into forty-nine different communities.
My artwork acknowledges both perspectives. It does not ask people to choose between caring for nature or caring for each other. Instead, it shows how the two are deeply connected. The Sycamore Gap tree held our stories, our memories, and our longing for steadiness, and in honouring it, we are really honouring the human need for connection, resilience, and renewal.
This is not just about an iconic fallen tree.
It is about the country we are now and the country we want to be.
If this artwork can help bridge that divide, then the tree continues to do what it always did: offer shelter.
The People’s Tree
A national creative commission using timber from the Sycamore Gap tree.
When the call went out for artists to create a national memorial from the fallen Sycamore Gap tree, I knew instantly that I wanted to be part of it. That tree has always been close to my heart, a symbol of strength, belonging, and home. Like so many others across the country, I had stood beneath that tree, watched the light change across its branches, felt its quiet strength, and sensed the stories it held. Its loss felt personal, a silence that settled across the landscape. To be able to create something that honours its legacy, that brings its story to life through fire and wood, would be the greatest privilege of my career.
From that moment, I knew I had to respond.
The National Trust is now inviting artists to help shape the next chapter. Using timber from the fallen tree, they are commissioning a new national artwork, something that will carry its memory forward and help people reconnect with nature, reflection, and place.
How the Artist Will Be Chosen:
The selection process has two stages:
Stage One – Expressions of Interest (2025)
Artists were asked to submit a two-page proposal outlining their concept and examples of their work. I have submitted three ideas, each rooted in memory, renewal, and the quiet power of nature to heal.
Stage Two – Finalist Proposals (2025–2026)
Up to five artists will be shortlisted. They’ll be given access to the catalogue of Sycamore timber and supported with up to £5,000 to develop their ideas into detailed proposals.
These designs will then be shared online with the public. A national public vote will help shape the final decision.
The winning artist will be announced in February 2026.
Sycamore Gap: My Commission Entries
Explore the ideas I’ve submitted to help shape the next chapter in the Sycamore Gap tree’s story.
Three Visions, One Story
Each of my three proposals explores a different way to preserve the spirit of the Sycamore Gap tree, not only as a memory of what was lost, but as a celebration of endurance, renewal, and hope.
Please explore the studies, designs, and stories behind each proposal below.
“A Place to Remember, A Place to Begin"
Three handcrafted reflection benches, made from the Sycamore’s wood and illustrated with pyrography. Each seat tells part of the story: roots and beginnings, loss and legacy, renewal and hope. They invite people to sit, touch, and remember, to feel the warmth of wood that once lived, and to find peace in the stillness it offers.
“Within the Rings”
Within the Rings tells the story of the Sycamore Gap tree by displaying three suspended cross-sections, base, trunk, and crown, each representing a chapter in its life. The pieces hang vertically from an oak frame and can turn gently, allowing viewers to experience both sides of the wood. One side reveals intricate pyrographic illustrations; the other carries the Sycamore’s own words, burned into the grain. Together, they invite reflection on time, resilience, and the enduring bond between nature and people.
“From Roots to Sky”
A single, live-edge plank joined into a cross-section of the original tree with the full story of the Sycamore flowing along its length. Through pyrography, I depict its wildlife, seasons, loss, and rebirth, intertwined with poems, quotes, and community reflections. This piece will stand vertically, echoing the tree’s once-proud posture, a reminder that even when felled, life continues to rise.
“I Was, I Am, The People's Tree”
As told by the Sycamore of the Gap
I was born from a seed carried on the wind,
a small green promise between earth and stone.
My roots reached deep into the Whin Sill,
my heart beating to the rhythm of the Roman Wall.
Seasons came and went, and I grew slowly, quietly,
learning the patience of rock and rain.
I have watched generations of footsteps pass between my roots:
shepherds and travellers, lovers and wanderers,
all paused to rest in my shade.
Children traced fingers along my bark,
soldiers leaned their backs against me,
and artists tried to capture my shape against the sky.
I rose where the hills opened their arms,
a lone figure etched against the Northumberland sky.
I became a marker in time,
a meeting of land, memory and light.
In my branches, the robins sang their morning songs.
Owls watched the night unfold from my hollow.
Beetles carved their own stories beneath my bark,
and in my leaves the wind whispered secrets of the seasons.
I gave them shelter — not as guests, but as family.
I felt storms tear at my crown,
lightning kiss my limbs,
and frost split my skin.
Yet every spring, I began again
bud by bud, leaf by leaf.
Resilience, you see, is written in my rings.
I have stood through more than a century of change,
watching the world reshape itself around me.
Horses gave way to engines,
quiet paths became pilgrim trails once more,
and the Wall that held the memory of empires
welcomed walkers from every corner of the earth.
I saw wars rumble beyond the horizon,
heard peace carried on the wind,
and felt the land grow busier, louder,
yet never losing the hush of its ancient soul.
Across generations
I kept watch on the gap between the hills,
a silent witness to the passage of history.
I never looked for fame, yet it settled around me.
England’s Tree of the Year, they said,
and a film carried my silhouette across the world.
Travellers came just to stand beside me,
guided by a quiet sense of wonder.
But the truest title was the one gifted by the people,
spoken with affection and pride.
I became their tree, the People’s Tree
and in their stories, the Robin Hood Tree.
Then, one night, the silence changed.
Steel met sap.
I fell.
The world gasped, and for a moment,
even the hills seemed to hold their breath.
The birds fell quiet at dawn,
and the wind moved differently through the gap.
Then hands rested where my trunk once stood,
as if touch alone could stitch the world back together.
And still, beneath the loss, I held on.
And if you come softly,
I will speak to you in the way I always did,
not with grandness,
but with the small truths of this landscape.
My roots still dream beneath the soil,
and from them, new shoots rise.
Forty-nine saplings now carry my spirit,
my story reborn in many voices, many places.
I am still alive, lifting green from my base,
a quiet miracle of nature’s persistence.
The wind that once shaped me
now carries the scent of renewal.
And if you listen closely, you can still hear me
in the rustle of leaves,
the flight of birds,
and the stir of life rising through my roots.
I am here,
if you come gently.
The valley still holds me,
though my form is scattered wide.
I was, I am, the People’s Tree.